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Redfern Outer office / Eugène Lourie


©Roy Export Company Ltd.


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Cine Astoria (Barcelona) "Candilejas" / Juan Pol ; Foto Postius


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Death of Columbine


©


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Terry's audition at London Empire Theatre


©Roy Export SAS


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Charles Chaplin in make-up session / Florence Homolka ; Michel Comte


©


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Calvero's living room


©Roy Export Company Ltd.


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Calvero plays with derelict duo outside Golden Pheasant saloon


©Roy Export SAS


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Death of Columbine


©


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Portrait of Claire Bloom with shawl


©Roy Export Company Ltd.


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Calvero's room : Calvero performs with Trio


©


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Sardou's Stationary Shop


©Roy Export Company Ltd.


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Exterior Roominghouse, Street


©Roy Export Company Ltd.


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Postant e Bodalink nell’ufficio di Postant


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Crowd in front of a cinema in Paris for a Limelight screening / Florence Homolka


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Death of Columbine


©Roy Export Company Ltd.


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Death of Columbine


©


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Calvero and Keaton Routine


©Roy Export Company Ltd.


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Costume fitting, female characters


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Colas Cine Cristina, Matinal Domingo dia 8 de Mayo 1955 = Crowds at the Cristina Cinema in Barcel...


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Set of saloon bar


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Tie-in with book shop in Frankfurt ; Window display at TWA in Frankfurt


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Film screening at Capitol cinema in Madrid : Ferman and Enrique Herreros / Martin Caminos


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Calvero and Keaton Routine


©Roy Export Company Ltd.


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Claire Bloom in various clothes


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Claire Bloom wearing a long skirt and a blouse


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Terry practising with corps de ballet and orchestra


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Calvero and Keaton Routine


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Calvero and Keaton Routine


©Roy Export Company Ltd.


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Costume fittings ? male characters


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Death of Columbine


©


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Roomighouse, interior : Terry Ambrose talks to Mrs Alsop


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Colas Cine Cristina, Matinal Domingo dia 8 de Mayo 1955 = Crowds at the Cristina Cinema in Barcel...


©Roy Export Company Ltd.


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Terry practising with corps de ballet and orchestra


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Charles Chaplin with violin in Buster Keaton sequence / Florence Homolka


©Florence Homolka


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Melissa Hayden in Terry's audition scene


©


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Crowd in front of a cinema in Paris for a Limelight screening / Florence Homolka


©Florence Homolka